Movement III

The Movement III curriculum the objectives broaden –  challenging the actor to imagine the physical instrument as a canvas of performance.  Building on the foundational objectives of the first year – release, permission, contact, freedom and spontaneity – the Movement training provides the actor with a repeated practice toward expansive physical creativity, ensemble collaboration and performance composition.  The shift reinforces a rigorous understanding of alignment/release, physical processing and expectation for expansive physical creativity. The first two semesters  began the opening of the physical instrument and freeing the body from its’ pedestrian behavior. Now, the second year initiates a rebuilding of the actor’s capacity for physical awareness with this new understanding in place. The actor is supported to experience deeply, respond more fearlessly and collaborate with the ensemble in a much more dynamic and uninhibited way. To achieve this, more time is spent working in a state of physical release – making it a more comfortable place from which to operate. There is a continued use of ensemble choreography – drawing from other sources –  that connects the actors’ rhythm, expression, and instinct with a clearer, more dynamic and more efficient instrument.


Nathan Flower, Kana Colla


Movement I, Movement II


24 Classes

Class is twice a week for 2 hours
Class starts in October and runs for 12 weeks


See Two Year Professional Acting Conservatory

Sign up For Our Newsletter

Receive the latest news about our studio and upcoming events

How good do you want to be?

Apply Now

Training the Passionate Actor Committed to Excellence